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There was still about an hour of light left before the sun set on the weekend, so I grabbed Lilly's leash and led her to the dog park yet again. Now that I've stopped letting her off the leash on our walks, I've been making an effort to visit the park at least once or twice a day since it's the only remaining place she can run freely. I figured that, at this late hour, there would be few other dogs to distract her and we could practice playing fetch, an activity I'm happy to report she is starting to figure out. She's now at the point where she'll chase after the ball when I throw it; the second (and rather important) half of her game still needs some work.
It was a beautiful sort of chaos.
NPR's Science Friday radio host Ira Flatow beamed as he took the stage of Miami University's Hall Auditorium on Saturday evening.
Growing up, Irish step dancing was a staple in my elementary and middle school talent shows. Every year, there would be at least one girl wearing a wig with tight red ringlet curls, a green dress with a Celtic pattern and black shoes with white knee-high socks.
The second to last rehearsal of the week for Stage Left's spring musical was about to begin.
Senior theatre major Jada Yvonne Harris will debut her play "Same Blood" this weekend at Miami's Hamilton campus. Harris, who is also directing the production, has worked for the past year to develop her script.
In a year where April showers looked more like blizzards, MAP's annual Springfest celebrated a return to the season's more traditional weather. A crowd of students passed under red and white balloon arches to find academic quad adorned with flags and inflatables.
A black-belt member of Miami's martial arts club took to the Uptown Park stage and threw her partner on the mat for a taekwondo demonstration. Another club member broke a thick wooden board with her elbow. K-pop and American hits alternated from speakers as crowds of students, faculty and Oxford residents roamed booths lining the park. They were all there on a Friday afternoon to celebrate Miami's fourth annual Asian Cultural Festival.
The Crouton Guy sits at a table outside Cafe Lux twirling his white earbuds, a light brown backpack perched on his lap. He wears glasses, a black hat emblazoned with a red M, a grey-and-blue sweatshirt, black pants and black shoes.
Songs of the Week
"Hey, are you auditioning for 'Octets?"
"Rabbit Hole," written by David Lindsay-Abaire, will be performed at the Oxford Community Arts Center on Friday, April 20. The play revolves around a couple grieving the loss of their young son after a car accident.
Jazz was in the air last week as two consecutive concerts proved that America's most syncopated sensation is alive and well in Oxford.
Dr. Chris Tanner pulled his pair of drumsticks from his back pocket and clicked them together to silence the cacophony in room seven in the basement of Presser Hall.
"And your time begins now"
Netflix's new series, "Trump: An American Dream," narrates the character development of our current president. It unravels Trump's ascension in the business world through sketchy deals with local politicians, his accumulation of wealth and his short-lived downfall through foolhardy deals. All of this leads to the crescendo of him announcing his bid for the White House in Trump Tower. Interviews with those from Trump's past (his chauffeurs, friends and former employees) reveal an intimate portrait of the man behind the catchphrase: "You're fired"
There's a scene about halfway through "Ready Player One" in which the story's hero, Wade Watts (Tye Sheridan), is approached by the villain, corporate CEO Nolan Sorrento (Ben Mendelsohn). Both parties are after the same thing: total control of the virtual reality technology Oasis, which has become the most important economic resource in their dystopic future, as well as an amount of shares which equates to nearly half a trillion dollars. Wade wants to preserve the Oasis as a fun playground for geeks and everyday people alike, while Sorrento and his company, IOI, want to litter the platform with advertisements and monetization.
There was not one moment of silence in Wilks Theatre on Saturday, April 7.