Leaning forward in his chair, light blue ball cap settled over his shoulder length brown hair, Garrett places his hand on the brown, wooden, circular table in front of him.
Doo-wop meets amphetamines meets Greek tragedy. The Miami Department of Theatre's production of "BLISS (or, Emily Post is Dead!)" by award-winning playwright Jami Brandli explored the heroines' journey in a thought-provoking way that didn't fail to keep the audience laughing.
From the decorations in gold, purple and green, to the lively music that filled the room, to the ornate glittering costumes, the Center for American and World Cultures' A Carnival of Flavors showcased the energy and enthusiasm of the holiday, Carnival.
When senior Natalie Wink talks about beer, a smile stretches across her face. Her eyes light up and there's an excited cadence in her voice as she speaks about porters and IPA's, about different flavor notes and her favorite breweries. She talks not of pitchers and shots, but of community, of the excitement and relaxation associated with "grabbing a beer" as opposed to chugging one.
As an advocate for sexual freedom and expression, as well as a self-proclaimed sexpert, I am disappointed -- to say the least -- by the second installment in the "Fifty Shades" trilogy.
Stacks of the white paper to-go bags, all branded with the Starbucks logo and soon to be filled with food, sit next to the cashier. Beside the espresso machine, empty cups wait to be filled with warm, frothy coffee or refreshing iced tea.
Last Friday, the Art Museum Student Organization held its annual student reception at the Miami Art Museum with the theme of "Steampunk Night At The Museum." The event was designed to encourage students to tour the museum. This year, AMSO partnered with Late Night Miami and MAP to offer alternative activities to underclassmen.
The sign above his door reads "Riley Docherty, Regional Manager." And the sign outside the building reads "Dunder Mifflin"
Messages of love and acceptance were abundant in Oxford last week as the Gay Men's Chorus of Los Angeles (GMCLA) passed through.
Jordan Peele is known as one of today's greatest satirists largely because of his role in the comedy duo Key & Peele and their much-adored, dearly-missed sketch show. But who says he can only be funny? In his writing/directing solo debut, "Get Out," Peele crafts a clever satire on race relations that fuses his trademark humor with bone-chilling horror.
Tucked away off the Left Field Tavern alleyway lies a cozy establishment with low lights, comfy couches and the best (and only) Middle Eastern food you'll find in Oxford.
Drinking is nothing new on college campuses. It's also an activity students rarely hide, except from local law enforcement, RAs and maybe parents. Drinking to blackout, or to bring on total memory loss for periods of time, is also nothing new, but it's becoming increasingly popular among students -- despite the fact that many don't what it really means to black out.
All images sourced from Creative Commons.
Being a reasonable person is becoming a radical position. Having a conscience is becoming an activity for insurrectionists. If you agree with any of the following, look out, you might be put on some kind of watch list of people who trust scientific consensus.
It's 8 a.m. on a cold Friday morning and first-year Keara Sonntag is already at the equestrian center. She saddles her horse and heads out for an early morning lesson.
Open on a shot of some sun barely peeking over a planet. Pan camera to reveal a space station floating nearby. Cue vague narration.
In Netflix's horror-comedy "Santa Clarita Diet," Joel and Sheila Hammond (Timothy Olyphant and Drew Barrymore) are realtors that have built a nice, if not routine, life in beautiful suburban California, complete with gossipy neighbors and an eternally ungrateful teenage daughter. That routine is quickly thrown out the window when Sheila begins vomiting an absurd amount, coughs up a strange red ball and falls unconscious.
Everybody has regrets. And nobody knows that better than Dr. Amy Summerville.
Ross Tague and Corinne McGoldrick sat facing each other in their usual booth. They added their voices to the cacophony inside Pulley Dinner, talking about late night television. Both of them wanted to go into TV when they graduated. After talking for a while, they came to a conclusion that there was nothing like late night TV.