“Killers of the Flower Moon,” Martin Scorcese’s latest entry to his storied film career, is a solemn tale about evil's openness and greed's overwhelming vice.
Even after its debut 30 years ago, “In Utero” still has an edge of abrasiveness that keeps its vitriolic content fresh and raucously intoxicating even now. The angst and venom present on “In Utero” still resonate now, decades later.