There are a lot of reasons why I drove around for 20 extra minutes after seeing "Lady Bird" so I could cry about it in peace, and why two of my friends texted me after watching it this weekend to say that it broke them too (in a good, cathartic way).
With music's biggest night just around the corner, the Recording Academy is set to announce the nominations for next year's Grammy Awards today. The country's second-most-watched awards show will celebrate its 60th anniversary Jan. 28, honoring the industry's top talents. While the list of this year's nominees has not yet been released, I expect the Grammys to honor artists such as Kendrick Lamar, Ed Sheeran and SZA.
Chance the Rapper made his hosting debut on "Saturday Night Live" this past Saturday. By stripping down to his underwear and spoofing Boyz II Men in a soulful tribute to President Barack Obama, Chance showed off his hosting and comedic stills to the "SNL" audience. Joined by musical guest Eminem, the rapper proved himself to be a multi-talented act as a musician and comedian.
After a kidney transplant this summer and a public breakup with The Weeknd, Selena Gomez made a triumphant return Sunday night at the American Music Awards. In a knockout performance of her hit song "Wolves," with EDM artist Marshmello, Gomez appeared onstage in a ripped white nightgown and a bleached blonde bob, covered in bruises and fake blood, as if she had really been "running with the wolves"
Early in "Thor: Ragnarok," the third film entry of the Norse god's solo adventures, Loki (disguised as Odin) is watching a play featuring fake Thor, Loki and Odin. It's an exact recreation of Loki's fake death scene in "Thor: The Dark World," rendered hilarious here by surprising celebrity cameos. Director Taika Waititi is sending a clear message: this is not like the underwhelming, super-serious movies that came before. In fact, it's exactly the opposite.
"Murder on the Orient Express" is dated, in a sense that goes beyond its 1934 setting and director/star Kenneth Branagh's exaggerated facial hair.
What is evil? Like any philosophical argument, the question of what evil is, how it manifests itself and how it is best dealt with can descend quickly into abstraction. That said, no matter your views on good and evil, it can be objectively agreed upon that within the darkest corners of our society there exist men and women who personify the concept. Men like Adolf Hitler confound us with their propensity for committing evil. ISIS, the North Korean government and white nationalist terrorists are boogeymen haunting the newsrooms of CNN and MSNBC.
Last Friday, the world stood still for Taylor Swift fans as she released her highly anticipated album "Reputation." Upon first listening to the album, it's clear that "Reputation" is a vengeful masterpiece and a vast difference from her earlier work on albums like "1989" and "Fearless." While her songs' subject matters haven't really changed, Swift finds ways to innovate her sound while remaining true to herself.
The Center for Performing Arts' main stage has created the image of a dystopian society through stone scenery accented with bits of grass and a ripped canvas ceiling.
Everything has an expiration date -- my debit card, the milk in my fridge and, according to some, AMC's hit TV series "The Walking Dead." "Mercy," the show's season eight premiere, aired this past Sunday, and I'm sad to say it was met with mostly negative responses. It seems the promise of this season's theme, all-out war, was not enough to rouse people's support for Rick's fight against Negan and continued battle with zombies. I believe some lack of interest stems from the show's shift from an apocalyptic to post-apocalyptic nature. Gone are the adrenaline-filled plot lines in which walkers were the main sources of danger and every threat seemed like the end of the world. We're now firmly in the realm of human conflict over completely rebuilding a society and the battle over who gets to run that society. For this reason, many have written off the show. But all hope is not lost. "Mercy" incorporates three main things that remind us why TWD is still worth watching:
The old monster flick, slasher or Disney Channel Original Movie not doing it for you? Thankfully, we always have Netflix to turn to in times of need. The streaming service has recently released a few new horror efforts just in time for your spooky movie nights.
Looking for nine hours of television to get you in the spooky spirit? Fear not, "Stranger Things" is back with bigger hair for Steve, teeth for Dustin and traumatic flashbacks followed by slug vomiting for Will Byers!
When a character in your film coughs up a human eyeball, you may have gone too far.
Last week, Taylor Swift dropped the music video for her song " . . . Ready For It?," the second single off her upcoming album "Reputation"
If you, like me, consumed "Stranger Things 2" in a breathless nine-hour binge and are still hungry for televised horror seeped in 1980s nostalgia, consider CBS' new series "Young Sheldon"
Haunting hollow notes emulated from the speakers and dim lighting created a horror movie atmosphere in Pearson Hall, but the evening provided more treats than tricks.
"Gaga: Five Foot Two" premiered on Netflix last month. The documentary feels, often, like we're simply following Gaga around as she talks to herself, unaware of the camera's presence. Sometimes it feels like an aimless but nonetheless aesthetically pleasing indie short. But throughout, the doc provides window after window into the titular megastar's life that we haven't really been privy to before. We all know about her rebranding with last year's "Joanne," the dissolution of her relationship with ex-fiance Taylor Kinney and the terrifying reverence much of her fanbase directs toward her, painting her as a religious figure of sorts.
"Colors" is a well-crafted, poppy return to Beck's goofier roots
Ah, middle school. What a time to be alive! A time when we were at our most hilariously awkward, as puberty assaulted us like, well, a monster. Or, at least, that's the idea of "Big Mouth," a hilarious new animated comedy that hit Netflix Sept. 29.
Science fiction stories tend to fall on the more epic side. Typically, a creator imagines a strange new world or future and sets their characters off on sweeping adventures, often with the fate of countless lives on the line. What makes Ridley Scott's 1982 cult classic "Blade Runner" so special is its more personal, introspective storytelling. In it, humans have created Replicants, androids that mirror us in obvious physiological ways, making the perfect slaves. However, some Replicants begin to rebel against the system, escaping captivity and longing for a life of freedom. Harrison Ford plays Deckard, whose role as a Blade Runner is to hunt down and "retire" rebelling Replicants. On his journey, Deckard learns more about the emotions that Replicants are designed to feel, how their manufactured humanity is not at all unlike the "real" kind. He even falls in love with one named Rachel.