HELSINKI, Finland -- I stepped outside in my simple black two piece bathing suit, bare feet and hair tied up. The cold air hit my flushed skin and filled my desperate lungs. I could see my breath cloud in front of me. I walked along the deck, down the steps and to the ladder at the edge.
Just a short 25-minute drive from Miami's campus, metal sculptures dozens of feet tall dot the landscape of the Pyramid Hill Sculpture Park. From the bright orange behemoth that is sculptor Alexander Liberman's abstract "Abracadabra" to the monumental bronze and steel of Michael Dunbar's "Euclid's Cross," a walk through this park makes it hard to believe you're just outside Hamilton, OH.
The airing of "Girls'" final episode on April 16 seemed to be an equal source of relief and distress for the American public -- maybe more relief.
When my brother and I were home for Easter, my mom welcomed us with bowls of Raisin Bran and big mugs of decaffeinated tea, long hugs that started with her telling us how good it was to have us home, even just for 24 hours, and that ended with a kiss on the cheek. She let my brother fall asleep in the recliner and let me take the last granola bar in the pantry. She bent the old rules and put our dishes in the dishwasher for us when we, so used to dining halls and drive-thrus, forgot. But she had one firm request of us before we headed back to Oxford: Stop by the house.
"Snatched"
When Abby Chafe received word that the cast list for Miami University's "The Wild Party" had been posted, she ducked out of her physics class early.
There's no way to unpack a Kendrick Lamar LP in one listen. From his major breakthrough "good kid, m.A.A.d city," presented as a time-jumping short film, to his ambitious, eclectic follow-up "To Pimp a Butterfly" which garnered 11 Grammy nominations -- one short of Michael Jackson's record for "Thriller" -- a Lamar record is guaranteed to come loaded with multi-narrative character arcs, history-spanning musical cues and some of the most stunning vocal acrobatics in hip-hop. Even last year's comparably small TPAB companion piece "untitled unmastered." was among the best rap releases of the year.
Miami's Institute for Food is partnering with local farms to bring a little more color to Oxford's diet. A Community Supported Agriculture (CSA) project will allow people in the Oxford area to get farm fresh produce all summer. It will run from May 30 to Sept. 6.
Organizers were late putting together the event.
The Butler County Beekeeper's Association (BCBA), a group populated by local farmers and beekeepers from the 31 honey-selling farms around the county, recently gained two new members -- members who do not fit the typical demographic of the group.
For Florida Wu, finding somewhere to go for spring break was a no-brainer. The answer was in her name.
The new project at the school's farm composts hundreds of pounds of coffee per week.
For fans of rebellion, sexual liberation and general debauchery (basically the 1920s as an era), the Miami University Department of Theatre's production of "The Wild Party" is a thought-provoking feast for the senses that should not be missed.
For Miami students who are looking for some new music to add to their summer playlists, Redhawk Radio is offering a solution. This Wednesday, Redhawk Radio will be hosting a free spring concert featuring the bands Argonaut & Wasp and Cross Country. The concert will run from 8-11 p.m. in the Armstrong Student Center in Pavilion C.
How do you teach Miami University students a politically-charged topic like climate change? Erase the smoke and mirrors, and show them the facts.
The unveiling of 3,000 murals in Cincinnati by Artworks took 30 years. Thirty-six of the 52 city neighborhoods host at least one mural.
Ian Banks is always surprised when people ask what it is that he chose to have etched into his forearm with permanent ink.
As the bright, swirling Technicolor background lit up Hall Auditorium, the audience was instantly pulled in. Dancers in long, medieval gowns began to twirl from behind the curtains until they were interrupted by a young man in full 1970s hippie garb, carrying a boombox playing "Stayin' Alive"
What are you willing to give up for a living planet? What should we be willing to do to reverse the circumstances that have brought us to this point? What is all the worry about? These questions run the gamut of environmental thought today. The Al Gores of the world, liberal environmentalists, seem to think that just a reorganization of the current energy infrastructure into a "green and sustainable" one will allow us to continue "enjoying our standard of living." I used to believe that, but then I slowly realized it was just that -- a belief -- and not an understanding of the present situation. I wish to challenge this set of assumptions.