Let the music flow

Anna TurnerWelcome to Urinetown-the musical, not the place. It's a musical about a place, a sort of dystopia, if you will, where the only laughter is one of irony, the only smiles are twisted grimaces and the only singing is a woe-begotten chorus of cries for the right to pee for free. There's some other singing, but only because this is a musical. Don't let that distract you from the main point: Urinetown is an awful, awful place ... but a fantastic musical!But the title has the word "urine" in it?Playwright Greg Kotis first conceived the idea of Urinetown when he encountered the frustration of Europe's pay-per-use bathroom amenities. From there, a whole world was born: one of oppressed poor and privileged rich, corrupt politicians and crooked cops, heroes and villains and public restrooms. Urinetown opens at 8 p.m. April 9 at Miami University's Center for Performing Arts. Shows will continue until 2 p.m. April 19.The dictator-esque Caldwell B. Cladwell runs the city's public restroom amenities, the only restroom amenities in town, charging citizens a fee every time they use the bathroom as a way to stretch the restricted water supply. The show's hero, Bobby Strong, kicks off a long overdue revolution, granting the poor the chance to pee for free without being sent to Urinetown, an apocalyptic land of horror where the authorities send guilty pee-ers. Amidst the rebellion lie a love story, questions about corporate control and a political and social commentary. Suann Pollock, director of Miami's Urinetown production, said the overall feeling of the show is one of silliness. "There is a strong social voice in the show, but, in the end, Urinetown is a satire and a comedy," Pollock said. "It's a smart and clever show with something for everyone to enjoy." "Urine Good Company"Liz Mullenix, chair of the department of theater, said she is very pleased the department is producing Urinetown. "This show is both intellectually provocative and enjoyable entertainment, and I think it will both teach and please." Mullenix said.According to Mullenix, the department's season selection committee settled on Urinetown because of its Brechtian style and satiric commentary. Brechtian theater is a style of performance, often referred to as epic theater, that encourages the idea of narration and performance in play as opposed to naturalism. Two of Brechtian theater's elements, satire and political theater, are largely employed in Urinetown.Pollock said she was ecstatic when Mullenix offered her the position as director, making this the second production she has directed. Pollock also directed Seussical for Miami's 2005 summer theater."I've stage managed or directed about 70 musicals," Pollock said. "I love the age old device that when the emotion rises high we break into song or dance, or both! When you have a chance to spoof, parody or just play homage to that, how can you say no?"Pollock said she elected to direct the show because of its relativity to today's audience. She said the show reflects today's political and economical status, almost to an uncanny extent. "We are seeing our own excesses and greed bringing the demise of massive financial corporations," Pollock said. "There's also this unthinkable environmental crisis that we, in our desire for immediate wealth, have helped create." Pollock said Urinetown is a comedy and while its subject matter may be pessimistic and disheartening, it is sure to make one laugh out loud multiple times throughout the show.Senior Jeff Sams, an education major and Urinetown cast member, agrees with Pollock. "There's a social voice in the show that is kind of pessimistic and disheartening, but what it comes down to is that Urinetown is a comedy and people will laugh out loud multiple times during the show."Creating UrinetownThe look of Urinetown (the musical, not the place) is the brainchild of Gion DeFrancesco, scene designer and professor of theater. DeFrancesco said he saw the importance of relating the show to the current economic state and used this as a launching pad. "You have this chorus of poor and this chorus of rich, something that can be seen in today's society," DeFrancesco said. "We looked for ways to make a visual connection using that thematic concept." He also said most people connect with the downtrodden and oppressed poor through the image of the Great Depression. "We used the Great Depression as our window to make the play visually connect, particularly using graphics and designs from the Works Progress Administration (WPA) for inspiration." Defrancesco said. The WPA style comes through in the set of Urinetown in DeFrancesco's bold and simplistic graphics. "We also used some war propaganda from WWII and Russian propaganda," Francesco said. "There's a lot of similar visual style between WPA posters that were helping American social causes and totalitarian regime posters in the Soviet Union that were glorifying the worker." This design concept works in tandem with the social commentary in the show DeFrancesco said, with Urine Good Company (Cladwell's corporate empire, the "bad guy") being paralleled to a totalitarian regime. DeFrancesco said another subliminal design message in the show is the idea of being trapped in a prison. The guard towers framing the stage allow crooked cops to keep the poor under control while the bathroom fixtures lining the stage reinforce the idea that these people are imprisoned by paying to pee. You could pee your pants...While the set is reminiscent of the Great Depression, corrupt, wealthy businessmen oppress the downtrodden poor, and quite a few people die in Urinetown, the show cannot be described as anything but a comedy. Parodying famous musicals such as West Side Story, Les Miserables, Threepenny Opera and Fiddler on the Roof along with countless other references to musical theater stereotypes, Urinetown is a satire described as the anti-musical, according to Pollock."It's a really smart show," Pollock said. "It's the most clever lyrics and dialogue I've ever heard. It is the kind of stuff that you really want to listen to. It's smart, it's clever, it's fun and it really makes people laugh." Meet the CharactersOld Man Strong played by Sam Coffey "It all started with the Stink Years," Joseph "Old Man" Strong bitterly recalls. "Suddenly, water started to dry up. Eventually, private toilets became unthinkable." In response to the crisis, Old Man Strong and his wife, Josephine, along with a few higher-ups, founded an organization of miscreants. "You thought the LA riots were bad, we did much more than light couches on fire," Strong recalls. But the water levels continued to drop, and no amount of rabble-rousing could stop publicly run and operated bathroom amenities. Penelope Pennywiseplayed by Carly JonesPenelope Pennywise is a UGC employee that runs Public Amenity No. 9, the poorest amenity in town. As a faithful UGC worker, Penelope never lets anyone pee for free. "You either have the money or you don't, and if you don't, tough luck." Playing eyewitness to the struggles of the poor every day, Pennywise knows of their hardship, but she stands by Cladwell and UGC. "In times like these when we have a water shortage like we do, you do what you have to do. And what you have to do is pay to pee because, after all, it is a privilege to pee." Millie the Secretaryplayed by Emily LaneMillie grew up poor, struggling to scrounge up the money it took to pee three times a day. Desperate to become privileged and no longer worry about not having enough dough to use the bathroom, Millie launched a plan to get into Caldwell B. Cladwell's good graces. "I couldn't be poor anymore," Millie explains. "There's a