Here's what's worth watching, streaming and procrastinating with this weekend.
The arrival of September means the unfortunate combination of two phenomena: the beginning of classes and onslaught of fall television. It's difficult to find time to study for midterms or write that poly sci essay when there are so many new compelling programs vying for network approval. The fall schedule can be complicated to navigate, so no matter how you're trying to procrastinate, whether you're looking for an HBO megadrama or a silly late night comedy to binge through, a new hit or an old favorite, we've got you covered.
Just about everything you might expect to be annoying about an animated, 19th-century film about dueling Parisian child ballerinas cripples "Leap!" It's essentially a Barbie movie with twice the budget, worse characters and even less plausibility (but better pop songs.)
Television, which was once condensed to weekly programs on three or four channels, has expanded so vastly in recent years that it's impossible for a person to watch every show of note. In such a diluted market, the TV series-as-a-cultural-event, where, for the course of an hour, a large swath of viewers has their eyes on the same program, has essentially died.
Film: "Mommy Dead and Dearest" (Kirby)
Film-wise, this was the best summer in recent memory (no thanks to "The Emoji Movie"). Here are the top five films worth watching if you didn't manage to catch them in the last few months, plus the ones you should steer clear of.
The self-explanatory new Netflix series, "The Standups," features six episodes with six comedians, one of whom is Miami alum Beth Stelling.
It's a good year to be a woman in film. Unless, of course, that film is directed by Michael Bay or stars Tom Cruise.
The airing of "Girls'" final episode on April 16 seemed to be an equal source of relief and distress for the American public -- maybe more relief.
"Snatched"
There's no way to unpack a Kendrick Lamar LP in one listen. From his major breakthrough "good kid, m.A.A.d city," presented as a time-jumping short film, to his ambitious, eclectic follow-up "To Pimp a Butterfly" which garnered 11 Grammy nominations -- one short of Michael Jackson's record for "Thriller" -- a Lamar record is guaranteed to come loaded with multi-narrative character arcs, history-spanning musical cues and some of the most stunning vocal acrobatics in hip-hop. Even last year's comparably small TPAB companion piece "untitled unmastered." was among the best rap releases of the year.
For fans of rebellion, sexual liberation and general debauchery (basically the 1920s as an era), the Miami University Department of Theatre's production of "The Wild Party" is a thought-provoking feast for the senses that should not be missed.
As the bright, swirling Technicolor background lit up Hall Auditorium, the audience was instantly pulled in. Dancers in long, medieval gowns began to twirl from behind the curtains until they were interrupted by a young man in full 1970s hippie garb, carrying a boombox playing "Stayin' Alive"
From Broadway to high school theatre productions to a feature film starring Johnny Depp, the musical "Sweeney Todd" has taken on many different forms. At Miami, the student theatre group Stage Left will perform the musical on Thursday night.
The trailer for "13 Reasons Why" seemed preposterous, and I'm a staunch proponent of young adult-targeted TV campiness; "Bunheads" and "Make It or Break it" rank among my favorite shows, and full disclosure, I still record "Teen Mom 2" to binge over breaks.
Looking for some new music?
"Hey, it's Hannah. Hannah Baker"
When a show starts with three princesses gyrating and swearing at their princes, it becomes immediately clear that Disney had no hand in this version of the company's beloved "Princess Line" franchise.
When Chance the Rapper dropped "Coloring Book" almost a year ago, I was nearing the end of high school, and my best friends and I were driving early one morning before school to watch the sunrise on Lake Michigan. I immediately fell in love with the catchy hooks, goofy laughs and nonsensical yelps that filter through his lyrics.
In the past few years, superheroes have taken television by storm. The CW has a DC show for almost every day of the week, and Marvel has partnered with ABC and Netflix to broadcast a handful of popular shows like "Daredevil" and "Agents of S.H.I.E.L.D." Just when it seemed like the formula for a comic book show was obvious, FX's "Legion" arrived to turn everything on its head.